Concert Review: Royale Lynn Brings the Royal Treatment to the Orpheum in Tampa, Florida
- Amanda Igartua
- 1 hour ago
- 4 min read
The heat is blazing here in Tampa, Florida, but even 100-degree temperatures can't keep fans from claiming their rightful spots in line for tonight’s performance. The exceptionally talented Royale Lynn is making her way across the country on her Royale Pain in the A$$ Tour, her first headlining tour, and tonight, the Orpheum is next in line to become her throne.
If you’re not familiar with the name Royale Lynn, allow me to introduce you—because this is one name you’ll want to remember. Royale Lynn is a singer-songwriter originally from Aylmer, Ontario, Canada, who has called Nashville, Tennessee, home since the age of 21. Royale has written for other country artists and initially found her footing in the country music world. Over the years, however, she naturally gravitated toward the music she grew up listening to, including metal, rock, and punk. Today, her sound can only be described as her own—a truly captivating and ever-evolving mix of alt-metal, pop, and hard rock, woven together with subtle country influences within the lyrical structure of the song itself.
The release of her song "Six Feet Deep" in 2023 was the catalyst that put her on the map, reaching over twenty million streams on Spotify alone. In 2024, she signed with Epitaph Records. Writing what she knows, she released her twelve-track debut album, "Black Magic," on June 27, 2025. She has rocked the festival stages of Louder Than Life, Aftershock, and Welcome to Rockville while touring alongside Skillet, Seether, and Asking Alexandria. With the release of her newest single, "Altar," on June 30, 2026, she continues to charge every stage she hits, and I am excited to see what tonight unfolds.
Lighting up the stage first for the evening is West Palm-based band We're Wolves. This five-piece wasted no time bringing their commanding energy to the stage. At the helm, AJ Diaferio delivered mind-bending vocals, backed by equally impressive musicians that added to their infectious sound. Victor Asencio and Gabe “Barblay” Barbosa shredded on guitar while contributing supporting vocals. Andrew Salazar held down the bass while adding powerful vocals of his own, and Jesse Secatello drove the rhythm from behind the drums.
Together, they awakened the crowd with songs like “Flatline” and “Vampyre.” They kept the momentum going with explosive covers of Good Charlotte’s “Anthem” and Drowning Pool’s “Bodies.” We’re Wolves truly turned heads with their latest release—a cover of the Backstreet Boys’ hit “Larger Than Life.” The band gave the globally recognized song a fresh, hard-hitting sound, completely transforming the pop favorite into something distinctly their own. They then closed out the set with their original “Titanium,” leaving the crowd with one final powerful statement.
Pretty Pity kept the energy high, delivering a fully charged performance of their own. This five-piece ensemble from Central Florida brought an electrifying blend of punk-pop and rock to the stage. Leading the crowd through an exciting set was Tani Jade, whose powerful vocals and commanding stage presence cut through the room. By her side, bandmates David Kislik and Billy DeGuzman on guitar, Alex Gonzalez on bass, and Hernando Torrealba on drums lit up the stage, matching her energy line for line.
Pretty Pity had the crowd singing and dancing along to songs like “Whiskey,” “IDK,” “Push,” and “Fast Love.” This summer alone, the band has graced the stages of Summerfest in Milwaukee and the Summer School Tour. If tonight is any indication, Pretty Pity has many more stages ahead of them—and I can’t wait to see where they go next.
The stage is set. A raised platform sits at the center, with the words 'Royale Lynn' in bright red letters against a black backdrop. The lights dim, and the 1999 hit song "Genie in a Bottle" by Christina Aguilera echoes throughout the room. Scott Buchanan grabs a sweet black Fender guitar as Doug McKenna sits behind a red drum kit. With a teeth-grinding guitar riff and a bone-vibrating drum intro, they prime the stage. Dressed in black boots, fishnet stockings, a black skirt, and a black Von Dutch t-shirt, Royale Lynn steps onto the stage with a microphone in one hand and a black Louisville Slugger bat wrapped in chain in the other. Eyeing the crowd with a big smile on her face, she launches into "WTCH," from her album Black Magic, captivating the crowd instantly. Without skipping a beat, she brings out Tani Jade of Pretty Pity to join her for "Death Wish," a powerful song dedicated to all the first responders that ignites the room and sets the tone for the night.
Royale takes the Orpheum through a night of music spanning her earlier work to her most recent releases, with a few surprises along the way. Her voice is packed with versatility, revealing both a sweetness and raw grit that blend seamlessly with every note she sings. Paying homage to one of the bands she loved listening to growing up, she treats the crowd to Fly Leaf's hit "All Around Me," instantly transporting the room into a moment of nostalgia with everyone's hands waving in the air. From "Altar," "Black Magic," and the fan-favorite "Six Feet Deep," she continues to command the room. Then, grabbing a sleek matte-black Les Paul guitar, she rocks out to "Battleground." Between tracks, she chats with the crowd, sharing stories and sincerely thanking everyone for coming out and spending their hard-earned money to see her perform.
Acknowledging that she wouldn't be standing on that stage without the unwavering support of her fans.
As the night draws to an end, Royale Lynn delivers a fan-requested song, "Redneck Rockstar," followed by "INSIDE OUT," a personal favorite, before closing out the night with "GREED." As the final notes ring throughout the Orpheum, the crowd erupts in cheers one last time. Royale Lynn and her band truly left their mark on the stage. From beginning to end, the performance was fierce, captivating, and dynamic—a powerful reminder that Royale Lynn is a name to remember.
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