Album Review: Can't Get Enough: A Tribute That Keeps Bad Company's Fire Burning

“Can’t Get Enough: A Tribute to Bad Company” is the album you didn’t think you needed, but you do. This 10-track tribute album consists of songs spanning Bad Company's incredible catalog, proving to us that Bad Company songs do stand the test of time. The carefully chosen artist for this album was perfectly crafted so that everyone will love something about it.

The album begins with HARDY’s rendition of “Ready for Love.” HARDY’s hard rock country twang adds a flair to the song that I hadn't anticipated. “Ready for Love” showcases HARDY’s gritty and raw vocals; his raspy, unpolished edge mixed with his warm tones beneath the grit makes his tone resonate with these lyrics.

Halestorm’s version of “Shooting Star” left me speechless. When you listen to the original by Bad Company, you can sense the energy that they are trying to achieve, but the 1975 production holds it back. Halestorm, however, captures that energy perfectly. Lzzy’s voice is so distinctive, having such raw power and range. She has her signature raspy grit but also has a warm, full-bodied midrange that slices through the powerful guitar sound that is Halestorm’s signature sound. This is evident throughout “Shooting Star.” While her vocals are incredible, the standout is the jam session at the end. When that kicks in, the instrumentals elevate the song to a whole new level.

Slash and Myles Kennedy are a match made in heaven. Myles' clean and clear vocal tone blends seamlessly with Slash's classic rock tone mixed with a blues-inspired soul, making it perfect for “Feel Like Makin’ Love.” What I appreciate the most about their version is that they stayed true to the original song but added their style, breathing new life into it.

Blackberry Smoke brings their southern rock grit mixed with country soul and jam band swagger to “Run with the Pack.” The vocalist, Charlie Starr, possesses a unique style and delivery that remind me of the legendary Steven Tyler of Aerosmith. The jam section near the end is flawlessly executed. Charlie’s smooth vocals flow over the jam section so well that it will put you in a trance.

The Struts are a modern band with the swagger of 1970s glam rock, showmanship, and unapologetic charisma. When I think of The Struts, I think of bands like Queen, the Rolling Stones, and Led Zeppelin, but reborn for a new generation. Their cover of “Rock & Roll Fantasy” is living proof of it. The guitars are bursting through the speakers, the melody is catchy, and their retro flair and modern edge bring this song to life. In short, the song radiates swagger through the speakers.

Charley Crockett blended his unique style of country, blues, soul, and Americana in his version of Bad Company's well-known song "Bad Company." His soulful voice suited the storytelling perfectly, reminiscent in some ways of Johnny Cash. Additionally, I appreciated the country twang solo he added to maintain that southern feel.

Before this album, I hadn't heard of Dirty Honey, and I must say, I was thoroughly impressed. They remind me of The Struts a little with the '70s rock vibe and spirit, but they resonate more with the sounds of Guns N’ Roses and Aerosmith. Their version of “Rock Steady” is straight-up rock 'n' roll infused with blues, and I am all for it. Their sound pays homage to bands such as Bad Company, but they modernize it with their own style. John Notto’s solo and Marc LaBelle’s vocals are highlights in this song, mixing attitude, loud guitars, and the freedom rock spirit into a 4:52 track.

The southern hard rock band Black Stone Cherry did their rendition of “Burnin’ Sky” and absolutely made it their own. The crunchy guitar riffs mixed with hook-laden choruses and groove-oriented rhythms—how could you not rock out to Black Stone Cherry’s version of “Burnin’ Sky”? Chris Robertson’s vocals are on display with a smooth melodic style fused with some grit and rasp. I also need to mention guitarist Chris Robertson and Ben Wells, having crushing solos and blues-style heavy riffs that are loud and energetic but not overpowering, a hard balance to achieve.

“Seagull” might be one of the harder, if not the hardest, songs to cover by Bad Company. To me, this song is a masterpiece because of its emotional depth, simplicity in music, and raw lyrics. The acoustic guitar has a warm sound, and it complements Rodgers' soulful voice, creating a beautifully executed piece. Joe Elliott’s rendition is also beautifully done and complements the original. Joe keeps it simple and finds a warm sound in his guitar that accents his voice. His guitar solo, imperfections and all, adds to the masterpiece that already is. Joe Elliott made “Seagull” his own while honoring Bad Company.

“All Right Now” is a classic rock anthem. The opening guitar riff is instantly recognizable, the drums and bass are locked in, and the song stays grounded with the rock blues riffs that make it the classic rock anthem that it is. I think this was the first song I ever heard from Bad Company thanks to my mom. I was curious to see how The Pretty Reckless would handle their cover, and it met all my expectations. 

The Pretty Reckless kept the song grounded and in the pocket like the original. Taylor Momsen's signature slightly raspy, powerful voice is on display, as well as John Secolo’s guitar work. I give a lot of credit to drummer Jamie Perkins and bass player Mark Damon for staying in the pocket. Hearing the cover, there were so many moments where I could hear Jamie throwing in fills and triplets that would work so well, but would go against everything that made the original a classic. Well done!

The production on this album is as incredible as the artists themselves. Both the artists and producers have successfully brought these songs into 2025 while preserving the elements that made the originals timeless. The production and artists breathe new life into these tracks, and I can't praise it enough. Simply outstanding—bravo! 

Like I said in the beginning, “Can’t Get Enough: A Tribute to Bad Company” is the album you didn’t think you needed, but you do. "Can’t Get Enough: A Tribute to Bad Company" captures both the grit and soul of the originals while adding a fresh edge from a new generation of artists. It’s a heartfelt salute that reminds us why Bad Company’s music still hits as hard today as it did decades ago. Whether you're a huge original fan like my mom, someone like me who is familiar with their music but didn't realize just how much I knew, or someone who has never listened to Bad Company but admires one of these artists, this album is for you. 

"Can’t Get Enough: A Tribute to Bad Company" is available NOW to stream and buy — a must-listen for anyone who still believes rock and roll never dies.